Another presidential election has come and gone in Nigeria, leaving political parties, civil society and a disgruntled electorate in disarray over all the alleged irregularities that were recorded. Bola Tinubu was announced as the president-elect under the ruling party, the All Progressives Congress, by an electoral commission largely viewed as incompetent. Aggrieved parties and ordinary citizens have been demanding transparent judgment or re-election, and they’ve been doing so through nonviolent actions that draw heavily on creativity and humor.

On May 12, 2022, some students of Shehu Shagari College of Education in Sokoto State, Nigeria, killed a Christian teenager, Deborah Samuel, for alleged blasphemy of Prophet Mohammed. Deborah had complained through a voice note in her class WhatsApp group about how some of her colleagues were posting about religious issues in the group, which she regarded as nonsense, because the initial agreement was that the group should be used for academic updates. A fellow student responded that Deborah had blasphemed Prophet Mohammed. […]

In my previous blog post I talked about the destructive role that agents provocateurs played in Nigeria’s #EndSARS campaign, which took place last fall. But there were many examples of beauty and constructive power in this movement as well. One of those was in the form of artistic resistance that emerged from diverse communities across the country. In this post, I will share a few examples below–including photography, video, inspirational designs, illustrations, graphic design, paintings, music and dance—and also offer some analysis of the roles that they played in the campaign. […]

On October 3, 2020, a young man was said to have been shot in front of a hotel in Ughelli, Delta State, Nigeria by a police officer working with the Special Anti-Robbery Squad (SARS), a division of the Nigerian Police Force. The incident served as a watershed event for popularizing the Twitter campaign #EndSARS, which had begun in 2017. […]