It’s a story of fearless resistance to dictatorship. It’s a decolonized story—one told about Ugandans, by Ugandans, not by a former colonial power. The story aspires to give back the power to Africans, and to African women and queers, in particular. It’s the story of Stella Nyanzi, a Ugandan queer woman of numerous facets, but most of all, of power through provocation. Stella, currently in her late forties, is a poetess, academic, African feminist, LGBTQIA+ activist, opposition politician, and fierce challenger of the Museveni regime. She was imprisoned in April 2017 for several weeks for posting on Facebook a poem boldly criticizing the First Lady and President Yoweri Museveni. […]

У моїй першій публікації я поділилась надихаючими розповідями про немілітарний цивільний захист музеїв в охопленій війною Україні. Я також аналізувала міжнародний заклик українських митців бойкотувати російські об’єкти культури та наближених до Путіна митців. У цьому дописі я детально розповім про те, що в інших публікаціях називала «документальним спротивом», спираючись на нещодавнє інтерв’ю з українською культурною діячкою Ольгою Сагайдак. […]

Я познайомилась з Ольгою Сагайдак в травні поточного року в Українському культурному центрі в Парижі. У великій вітальні, де я проводила наше інтерв’ю, стіни від підлоги до стелі були вкриті приголомшливими фотографіями воєнних руйнувань та вуличним мистецтвом на знак протесту проти вторгнення путіна в Україну 2022 року. У мене всередині защемило, коли, нахилившись, щоб ближче розглянути один антивоєнний малюнок, я зрозуміла, що його намалювала рука української дитини. […]

Facing seemingly insurmountable obstacles, I find it truly courageous that the Ukrainian art world is taking bold actions to preserve their country’s immense cultural heritage, both in-country and from afar. After all, as Olga aptly puts it, “This war is a war of cultures”. Putin’s only language is violence; Ukrainians have been fluent in the language of nonviolent resistance for decades. By putting culture in a key position of the anti-occupation struggle, Ukrainians can and are nudging the conflict to where they can have a battlefield advantage.. […]

I met Olga Sagaidak last May at the Ukrainian Cultural Center here in Paris, France. In the large drawing room where I conducted our interview, the walls were lined floor-to-ceiling with jaw-dropping photography of war destruction and street art protesting Putin’s invasion of Ukraine. My stomach knotted when, leaning forward for a closer glimpse of one anti-war drawing, I realized it had in fact been sketched by the hand of a Ukrainian child. […]

Though violent action can certainly have direct and immediate impacts, it is defined by destruction and harm. In contrast, human agency and creativity are unbounded by those limits. So when it comes to producing an anatomy of civil resistance, it truly takes a village… and the frontiers continue to expand. In that vein, I want to share some ideas—drawing from my personal and professional engagement as an artist, activist, movement trainer and organizer—about how to address potential gaps that persist in spite of Beer’s Civil Resistance Tactics in the 21st Century. […]

One movement coach I interviewed traced the ideal path from grievance to funding to capacity building. Although many readers will already be in the thick of organizing and fundraising, I thought it would still be helpful to share this model as a way to ground our thinking around movement capacity building. In a perfect world, a group would navigate the following steps: 1) Make a grievance known in your community to help form a critical mass of participants (this can be as few as 5 or 10 people). Take necessary security measures. […]

Last year, I read Hardy Merriman’s blog posts about civil resistance training and activists’ common questions about training, and so much rang true to me. I am a fan of learning theories around movement support work and in-field tools and practices used by coaches and activists. Hardy’s posts inspired me to gather in-field experiences of movement coaches and share them with larger audiences. I asked the coaches: How do we find trainers and resource persons? And, how do we decide what kind of content the training participants will need? […]

On this day last year, Poland’s high court declared unconstitutional a law that authorized abortions in the case of fetus malformations. The move sparked protests in cities and small towns across Poland, many of them sprinkled with creative, sarcastic and humorous signs, slogans and posters. Some Polish diaspora groups in major cities worldwide actively joined the protests. […]